How To Read a Film Movies Media and Beyond edition by James Monaco David Lindroth Humor Entertainment eBooks
Download As PDF : How To Read a Film Movies Media and Beyond edition by James Monaco David Lindroth Humor Entertainment eBooks 
When it was first published in 1977, HOW TO READ A FILM established itself as a genuine classic in film studies and has been considered by many to be the source on film and media.
Monaco’s original book looked at film from many vantage points, exploring the medium as both art and craft, sensibility and science, tradition and technology. It examined film's close relation to other narrative media such as the novel, painting, photography, television, and even music. Monaco discussed those elements necessary to understand how films convey meaning and, more importantly, how we can best discern all that a film is attempting to communicate.
Now, in this new, fourth edition, James Monaco brings his work fully up to date and into the twenty-first century as he explores the new and still-evolving digital context of film, multimedia, virtual reality, cyberspace, and how they all relate to film. This completely revised and expanded edition also features a new preface, several new sections, nearly five hundred illustrative film stills, and more than sixty diagrams.
New sections in HOW TO READ A FILM include
• Digital Tipping Points why digital is untrustworthy; how technology has radically changed the art; and what filmmakers and viewers can do to preserve quality and the truth of the image.
• Movies in the Oughts Beyond Cinema Metafiction, Metareality, and the growth of the virtual world; Gross-out humor and Post-modern narrative.
• The Mediasphere How recent profound changes in the architecture of communications have changed the way we live and consume media. How to restore the balance between the virtual world of art and the real, natural world.
• The Virtual World describes our contemporary culture where everyone is connected, not to each other but to each other’s images, and why the ring-tone market rivals the feature film business.
• Reading about Film and Media A Select Library Two-Hundred-Fifty Books About Film and Media You Should Read.
As Monaco writes, “The way we process text, images, and sounds today is radically different from what it was thirty years ago. And the union of media, which the invention of movies foreshadowed more than a hundred years ago, is now a reality…The medium is reinventing itself now, if you can think it, you can film it.”
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ABOUT THE AUTHOR
James Monaco is a writer, publisher, and producer. His books include American Film Now, The New Wave, The Encyclopedia of Film, and The Connoisseur's Guide to the Movies. He lives and works in the New York City area.
How To Read a Film Movies Media and Beyond edition by James Monaco David Lindroth Humor Entertainment eBooks
The best, most accessible book for a high school teacher (which I am) is Jonathan Golden's Reading in the Dark. They all cover the same material; the language is a bit different, and the attention to details varies. This book works, but it is a little thick with details that don't matter as much to the novice film student (which I am and which I teach)Product details
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How To Read a Film Movies Media and Beyond edition by James Monaco David Lindroth Humor Entertainment eBooks Reviews
Excellent book, in great condition, and very useful to me. Thanks!!!
This is one of most comprehensive and yet easy to understand books on film. Well worth it! The chapters on theory and politics are particularly helpful.
I bought a brand new book and it was only around $12 to $16 dollars. A good book for people who want to study the ins and outs of the film industry.
Classic film book that describes film theory, history, technique, and technology. If I taught a class on Film Study, this would be my text book. Very readable and comprehensive.
I've been a reader of Monaco's How to Read a Film since the first edition. Over the years my admiration for it grows and grows. It is one of the few decent comprehensive books on the theories, history, technologies and cultural impact of motion pictures that manages to be both accessible to a novice and still valuable to an expert in the field. It's also very well written in a style that makes it a pleasure to read.
A lot of the book's focus is on historic and technical details, which would make it excellent for an in-depth, well-focused course in scholarly film history, technique and theory. I acquired it for a general survey course for adult education students, mostly because it was affordable compared with other possible texts. Because it's more appropriate for the serious film student rather than the casual film buff, I chose the easiest chapters for them to absorb quickly, which was maybe 1/3 of the book. Although my class was made up of sophisticated individuals, they wanted something less technical. For future classes, I'll look for another general survey, probably one with more general film reviews and criticism focused on mainstream topics and social criticism.
When I tried to sign up for a community college "Intro to Film" course, I found that rather than being ubiquitous as I had assumed, such courses are frequently impossible to find these days. So I went looking for a book instead. My stumbling on "How To Read A Film" was a fortunate accident, it was just what I was seeking (and it didn't cost an arm and a leg).
The book ranges very widely to cover a lot of different angles you might not expect to find between a single pair of covers film technology, related media technologies, artistic history, commercial history, analysis, theory, relation to literary techniques, and the place of film within the arts. I realized only later that the relatively breezy style covers a whole lot of depth. I was painlessly introduced to quite a bit of fairly arcane terminology things like "mise en scene" of course, but did you know where the term "pull-down" in your DVD creator program came from?
(The author has made substantial revisions in new editions in order to keep this book current, even to the point of replacing whole chapters. If possible, it's worth getting a current edition; otherwise some topics may seem notably dated. Some editions also come with a DVD; if you want a DVD so the examples aren't just stills, you will have less choice of editions, and may not be able to choose the most current one. My comments refer to the Fourth Edition. )
The best, most accessible book for a high school teacher (which I am) is Jonathan Golden's Reading in the Dark. They all cover the same material; the language is a bit different, and the attention to details varies. This book works, but it is a little thick with details that don't matter as much to the novice film student (which I am and which I teach)
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